Sunday, September 26, 2010

New Poems! (Pt II)

The Price of Honesty

There are days when everything

you've done wrong stands up to you in blazing

neon, impossible to ignore

and you're never in the right.

There are days when a cloud

looks like a slap in the face

and the wind is the only thing

keeping you upright. There are

the days when everything which surrounds

you is so beautiful that the only

thing you can think is

"I'll never be able to write that."

There are more of those days

than there are of the ones where

you're centered and quiet and happy,

and the days when you're truly enjoying life

are always bracketed by the ones where

you want nothing more than to torch

every bridge and move West,

to leave all of the bullshit behind.

It's impossible to pretend everything

is great with yourself when you

know it isn't true.

It's the price of honesty.

If you are awakened to an idea, share it.

If you want to learn about someone, ask them.

If you want to love someone, love them.

If you want to accept someone’s love, accept it –

but never do it falsely. Someone else

will appreciate what you do not.

If everything hurts, give it time.

If nothing hurts, and you’re happy

in your tiny space, break your bubble.

If you know what’s going on,

and you’re happy, enjoy it –

time will not give you many moments.

New Poems! (Pt I)

You Ask How I Know I Still Love You

I know because I went out to buy dinner today,

a sandwich from the place on Bull -

I was walking back and was struck by how silent

the street was. Green spilled

over the fences, building a canopy

stirred by the warm breeze. It smelled

like Jasmine and the sea and all I could think

was that I wanted to tell you about it.

I wanted to call you to fill the space between us

with my words, impress my little bit of the world

into your mind.

I’d start by describing the light. You always were a part of it,

and the light in this moment was made for you.

It was warm and felt like home.

I was sad to feel the green heat on my skin

from the canopy and the wind off the sea,

sad to breathe that air because all of it felt like you.

And when I breathed it back out it would be me.

Just me, standing under the green summer light,

with the empty space at my side that is always there.

Sunday, April 18, 2010

The First Poem in Some Months.

Inspiration beat me over the head with a club tonight. The results follow.

Nuances

(for Paul Allen)

The occasion is a musical

recital. The hall is dark,

and full of quiet children.

All of us, children.

A computer projects an image

onto the wall; it tells

us Who, What, Why.

Black, man-sized letters shimmer

above us. The stage lies

under the light;

red and yellow – it is bare.

From the corner

of the stage come the performers.

They take their places,

young players caught in the hush

before their storm.

The man comes out. His shoulders

sag, his suit heavy.

He stands center, his face

bathed in flame from the projector.

The boy comes to stand in front of the man.

He raises his arms.

For a moment, they mirror,

two pairs of thick-rimmed glasses

reflecting the red light endlessly

between them.

Their shoulders fall away at the same angle.

The boy lowers his arms.

The light blinks out.

The man waits. All of us wait,

staring up at his hard face,

lit only by the small penlight he holds.

The man begins his poem,

giving us his words, giving

his voice to the air around

his children and our ears

and the thin night behind us.

The boy’s arms lift and he conducts,

his music spinning into the gaps

in the man’s voice.

It seems an age.

Man and boy.

Poet and musician.

The father and all of his children.

The music hums to a slow close

and the poem fills the silence;

‘Do you think a car can

Take two curves on its own?

Was chance kept it going,

Chance and the slant of the road.’

The boy’s violins come in.

They sing to us, sing of two sun-lit roads

which wind through the man’s growing

green mountain Spring.

One road takes us where he has been;

the other shows us where the boy will go.

Tuesday, March 30, 2010

Coming Soon

It's been quiet around here. I'm working on fixing that. My writing focus - until 2pm tomorrow - is on a much longer short story than the Micros which have been appearing here. Once that's done, I'll put the story up here - either in one post or several. This story's been absolutely hellish to write, but it looks like it might be my best one yet. Check this space tomorrow for new content.

Wednesday, March 17, 2010

Because This Story is Perfectly Bizarre

I...yeah, I don't know. Enjoy.

Dear Girly,

You might not remember me. In fact, I’d be surprised if you did – delighted, sure, but surprised. There’d be no reason for you to remember me. I’m sure that I’m nothing but another name to you at this point. Just another name that you check off on your endless list of conquered men and broken hearts – been there, done him, etc.

Don’t think this letter means that I’m one of those fools who have fallen in love with you. You’re just someone who I suspect would still be reading this, still be interested. Even if it’s just idle curiosity, well, that’s better than pity.

Do you know where I am, girly? I’m staring at a burning house right now. The flames started in the kitchen. Something went wrong with the stove, and tongues of flame began licking upwards, slowly peeling off the cheap wallpaper, curling it and crumbling it into dust. The flames, spreading outwards, caught on the gasoline that I’d sloshed around the floors, climbing higher, consuming more.

Where are you right now? What are you smelling? What are you seeing with those huge green eyes of yours? Are you looking up at the deepening twilight in a field somewhere? You’d be sprawled out on wet grass, lost in the dark above you, living in that moment only for the pinpricks swirling above you – dead light that is so old the number has no meaning. Or are you in some bed somewhere, exploring – like a conquistador – the body of another unsuspecting boy? Are you making him love you?

If you could see this! The flames are climbing higher and higher. It’s a better show than the best Fourth of July fireworks bonanza ever. It is eating all of their knickknacks and clothes - furniture and old photographs all broken down into the same ash. The smoke is whirling and shifting – I’d swear I could see faces in it, if that wasn’t absolutely crazy.

I still remember your face. I remember the way it was rounded in all of the places you’d expect it to be sharp – false angles hidden away in your face. It’s a unique face, a face made in a poet’s dream, or a sculptor’s nightmare. Listen to me – I sound like I’m madly in love with you. The truth is I’m not. Your face comes to mind and I feel nothing. No gut wrenching longing or bitter regret. I’m just curious about you. I’m curious about why you do the things you do. What you get out of all of those boys. What you find out about yourself. Not that I’ll ever know, and even if I do, it won’t change my life. Still though, I’m curious.

Have you ever really seen an out-of-control fire? It really is something to behold; an untamed force that eats and eats and eats. Even still, this house’s death is strangely quiet. Dignified. As if it was saying, hell, if I have to go out like this, I might as well make the best of it.

Making the best of it. That’s what we’re all doing, isn’t it? We’re just taking all of this stuff that life throws at us and simply making do. It’s how disaster victims recover their lives, I’d imagine. Picture it; you evacuate your suburban neighborhood because of a coming flood. You watch on the news as your town is destroyed, carried away on raging waters or simply drowned under a river. The water recedes and you go back, picking your way through debris and the detritus of what was once a town. Everything you own is destroyed – except for a single record collection, or a set of yearbooks, a favored coffee mug. Something. Wouldn’t you treasure that thing? Wouldn’t you cement the idea that you could rebuild your life around that one thing? Wouldn’t you have to live?

Sure, it’s just a coffee mug, girly, but it could end up meaning so much more.

Like at this house here, where I am. I’m sure this fire won’t burn everything. Even now I get the sense that it’s slowing, the mad rush of energy coasting to a halt. There will be things for this family to find – did I mention that? There’s a family of five that lives in this house. Two boys and a girl. Pretty kids. Happy. Stable. Secure. Or they were, until some crazy bastard came along and set their house on fire. I wonder what they’ll find. Don’t you?

Sincerely,

A Poem I Found Lost in a Notebook

Here's a poem from earlier this year that I wrote and forgot to transfer into digital medium. It's short and simple, in the vein of the previous poem I've posted. Let me know what you think.

Friends

Spin in and out of my life.

I don’t know why the ones who stay,

stay - and the ones who leave,

leave - but I’m looking for the reasons,

weaving through dark February days,

anchored in myself.

I need a home,

a place I can be myself in and sit

awake nights or sleep away

days and write in,

around,

and about,

forever.


I don’t know if I’m talking about a Home a House a Girl Love

But I think it might be all of these things.

I want to build something.

I want to use all of this strength I’ve gained,

Fought myself for,

Fought other people for,

And use it to lift,

Stack,

Shape and carry –

span a roof over my head and build

it wide enough for my friends to stand with me.

Monday, March 1, 2010

Family

This is a longer one - a "sudden fiction" rather than a micro or flash piece. If it's indistinguishable from a short story, well, the answer to your question is "Yes." (Also, this shouldn't need to even be stated, but this is a WORK OF FICTION.)

Family

“We’re having trouble with Beth,” my father says to me. “She’s going to kill herself if we’re not careful.”

It is February. I am home in Connecticut from my freshman year of college for Spring Break. We are driving over the Thames River, and it is beginning to snow. I look at him, wondering why this is the first real thing he has chosen to say. Beth is my younger sister. She is a type I diabetic. We’ve known for three years.

I don’t know what he expects me to say. I ask him what he means.

Her grades are dropping, he tells me. Her blood sugar is on the rise, and she’s gaining weight. She fights with my father over everything – this especially I hear the most about. She doesn’t respect my mother. They are at wits end, he tells me. Nothing works. This is his mantra. The subtext is that they don’t understand what is going on.

I know what he wants me to do before he says it. I hate him a little for it.

“We need you to talk to her,” he says. “To try and convince her she’s endangering herself.”

His word, endangering. I wonder if somewhere in his head he’s proud of that one. Just like that, I’m a tool for my parents again. Useful. I look at my father looking at me, his eyes cold.

I want to tell him no – and not just no, NO, fucking NO WAY – that they’re the parents; I want to ask him if they’ve tried talking to her, if they’ve tried to see it from her point of view. I watch the road, and say, “Sure, Dad. I can give it a shot.”

It’s family, I think. We drive in silence the rest of the ten-minute ride.

When we get home, I lug my duffel bag through the slush and into the front door and I hug my mother. She’s small in my arms, smaller than I had remembered – she’s draped in a huge brown sweater; one of my father’s, I realize. Her dyed red hair is darker now. She always has it darker during the winter.

She asks me things, talking into my shoulder. How am I? How was my train ride? I answer her as I extract myself from the hug and drop my duffel bag in the hallway. I unzip it and take out the college coffee mugs in their cardboard boxes which I have bought for my parents. I stand back up and Beth is at the bottom of the stairs, smiling at me. She almost jumps forward and hugs me. I manage to put the coffee mugs down again, but just barely.

I smile and say, “Hey kid. Good to see you.”

“Good to see you too,” she says.

Her voice is muffled into my chest. We stand there, hugging each other alone in the hallway. If she’s gained weight, I can’t tell. Her face is pale and her hands and arms are cold wrapped around me. I step back from her and she smiles.

“I’m glad you’re back,” she says.

I smile. “Glad to have somebody else to take their fire for you?”

She nods. We both know it’s not a joke. Right then, looking at my sister, at her pale face and the deep rings under he eyes and the way her shoulders stoop and pinch together, I make a decision.

I look her in the eyes – the same hazel as mine. “Can you go be somewhere else for a while? Just go see a friend?”

She’s staring at me, trying to figure out what I’m thinking. “Sure,” she says finally. “I can go over to Hannah’s house.”

“Do it,” I say.

She tries to read my face for another moment, then nods. She pulls a thick winter coat off of the hall stand and bundles up. She’s putting on boots as I pick up the coffee mugs and take them into the kitchen where my parents have carefully not been listening.

After my sister has left, and my mother has unpacked the coffee mugs, we sit down to eat lunch at the big dining room table, my mother and I across from each other, my father on my right at the head of the table. She has made black bean soup, and we eat quietly. It is warm and delicious, and for the moment, I am happy to be home.

I eat two bowls of soup and then get up to make a sandwich. I had no money to buy food on the train, and I am starving. As I’m layering cheese and deli turkey onto a slice of wheat bread, my father asks me – if I haven’t already – what I’m planning on saying to her.

I ask him what he wants me to say to her.

And just like, that, I overplay my hand. It slips out because I am absent-mindedly making the sandwich, but I realize that I’m glad. If they want to use me, let them know I’m aware of it. I never have been any good at intrigue.

There is silence from the dining room. The air is grey and shading darker as I sit back down, thick sandwich in hand. I ask him again, I ask my father what he wants me to say to his daughter so I can solve his problem.

He looks at me, his eyes colder than ever. It’s the way he looks when he knows he’s wrong, I think. I have no way of knowing if I’m right.

My mother says nothing. I stare at my father, my jaw tightening, and I’m angry. I am fucking angry because I’ve been home for two hours, and already we’re here. Because it’s not just about family for him. Because he wants to control Beth the way he tried to control me, the way he already controls my mother.

“I want you,” he says, and here is something different, here is a rending of that ice, now he is angry, and he says, “I want you to say whatever you have to. Make her see that she needs to behave.”

“Behave?’ I ask. “Jesus, have you ever thought of how she feels? She’s fifteen, and she’s walking around with a disease that she barely knows anything about, and you expect her to act like she’s a goddamned robot.”

“Of course we’ve thought about it,” he says, but I run right over him – I know this is a bad idea, maybe even a terrible one, but it barely seems to matter.

“When?” I ask, “When you’re yelling at her? When you’re busy not giving her a chance?”

I’m close to shouting, and I stop, breathing in, lowering my voice. “Did you ever once consider the ever-fucking fact that she’s scared? That you’ve made her afraid of you?”

“You watch your mouth around your mother,” he says, pointing a finger at me, but she stops him.

“We know she’s afraid. We’re afraid of her, too.” My mother’s voice is soft, but its scripted, italicized font threads its way through my bolded statements, ripping them to pieces. All I’ve said falls to the floor in a heap.

“We’re not villains. Neither is she.” She moves from staring at my father’s hand where his wedding band is glinting dully in the brief lightening of the afternoon sky, bringing her eyes to mine, and they are blazing, and all of a sudden I am afraid.

“We know. We’ve tried. That’s why it is your turn. Because we’re failing.”

This, and silence. My father’s face is red out of the corner of my eye. I stare at my mother. The snow begins to smack against the glass, wet and meaty.

My mother and I stare at each other across the dark hardwood table. All I can think of are my sister’s shoulders and her sleep-heavy eyes. It’s been two hours, and we’re already here. The gulf of adolescence opens behind me. I can hear the maelstrom whipping up, the screaming tendrils of wind and chaos swirling behind me, ready to swallow me and keep me trapped. I only need to step back from the line I’ve drawn, staring into my mother’s eyes. I breathe in, and out, slowly. I see Beth’s face. I do not blink. I refuse to turn and look.